Max LE VERRIER




New Max Le Verrier sculptures (and also by other sculptors edited by MLV when he was alive) are present today on the market place for more than 20 years, especially on the internet (eBay, ...). They can be mistaken for old MLV pieces on a photo. They are decorative, but they are new. It is not a problem, except If you are looking for antique MLV sculptures. In this case, be careful ...
 
You will find one of the makers of the new MLV pieces at http://www.maxleverrier.com/ . This one edits new MLV and other sculptor pieces from the French Art Deco period, the most often in spelter ("fonte d'art" or "regule" in French), very rarely in bronze, but there are other makers, especially in Asia.

We do not present any auction results of Max Le Verrier pieces intentionally. There are too many reproductions on the marketplace and in auction house sale catalogs, a mother hen would no longer find her chicks.
 

SOLD



Max le Verrier was born in Neuilly-sur-Seine, near Paris, in 1891. From an early age he showed great promise as an artist and sculptor; and after serving in the French army during World War I, he studied at the Ecole des Beaux-Arts in Geneva. During his studies in Switzerland he met fellow sculptors Pierre le Faguays and Marcel Bouraine, who became close friends and with whom he collaborated for much of his life.

Upon completing his studies, le Verrier returned to France in 1919, and founded his own studio in Paris. It was at this time that he created his first popular sculpture - the famous 'Pelican' - which was the first of a long line of animal figures that bore his name. Le Verrier was awarded a Gold medal for his sculptures at the 1925 Paris l'Exposition des Arts Décoratifs et Industriels (the famous exhibition from which the term 'Art Deco' was derived). In 1926, le Verrier opened his own foundry, casting pieces for a wide range of French sculptors of the period, including Pierre Le Faguays, Marcel Bouraine, Janle, Denis, and Charles. From the outset, he gained a reputation for the very high quality work, exceptional detailing and accuracy of the items that his firm produced. Interestingly, the foundry did not cast in bronze as is commonly assumed, because le Verrier felt that he could achieve better detail by using his own proprietary mix of metals. At the same time as running his foundry, le Verrier continued to sculpt his own creations, and in the 1920's he became famous for his studies of woman as part of the Art Deco era's fascination with the ideal female form. His female figures are characterised by a lithe athleticism and perfect symmetry; and are highly regarded and much sought after. Le Verrier continued working throughout the 1930's - receving a medal of honor at the Paris International Exhibition in 1937 - before being arrested in 1944 for his resistance activities against the Nazi-backed regime.
He reopened his studio after World War II, and continued to sculpt until his death in 1973